An installation composed of many elements in which the various material manifestations of human activity have been reduced to a dimension of pure aesthetics. Each element of the composition is an independent metaphor, but as a whole, this work is an attempt to portray the evolution of man through the increasing number of ways people try to detach themselves from their surroundings. We do this by using clothing, headphones, curtains, or even eyeglasses and shower cabins. The more evolved we become, the more we separate from one another, and the history of mankind is the story of growing isolation. Man also attempts, with tongue in cheek, to make a comprehensive historical treatment of the human condition. The white, central pedestal is the same height as Modulor, and placed upon it are six commandments — those concerning human rights. It is also an effort to establish a dialogue with the utopia of modernity: the materials used are cheap and available at any hardware store. Well aligned, they gain a noble, almost sacred character. This exact moment brings out the uncertain nature of Sysiak’s work: idealistic and bitter at the same time.